Arhitekturnij Shrift
Courtesy of FREE + OODA Architecture is often considered a social art of function adjustment that seeks an implicit idea of permanence and formal consistency. This usually results in a demand for a creation that sustains the progress of time in an attitude of survival and maturation. However, on this intervention by architecture firms and, the building’s integration and urban landscape was based on the awareness of the direct relationship that the site has with works by internationally renowned architects (SANAA and Alcino Soutinho) and in compliance with the heterogeneity of the surrounding urban fabric.
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Thus, the building assumes its identity but deliberately quiet and in continuity with the pre-existence. More images and architects’ description after the break. © Pato Safko The “” civic association, in collaboration with the studio, have prepared an instant urban intervention under a bridge.
The situation in regard to quality of the environment at the bus terminal under the New Bridge in has been bad for a long time. People have to wait for their bus connections in a totally unsuitable area, and we consider it a disgrace that the city of leaves its citizens and tax-payers to function in such an inadequate environment. Ramka dlya sertifikata fotoshop. More images and architects’ description after the break. Courtesy of NAUTA, in collaboration with P.B.A. Architectural Design Ltd. Shared with us their design for the Yunlong Digital and Technology Park.
Sustainability in a fast urbanization calls for simplicity, sobriety, pragmatism and elegance. The most efficient way to emerge in a screaming parade is silence. The design for the business park provides R&D offices and facilities for innovation industry, which focuses on mid-high level of the market. More images and architects’ description after the break. A metallic Los Angeles dawn.
The streets are dry [Unlike film shoots where they spray them down for that surreal reflective quality. Or maybe that was only in the eighties and nineties when they did this, but he thinks the history of the street location wet-down must have started much earlier, peaking at the height of the drought specter--but there is perpetual drought here. When the citizens of the realm were asked to let their lawns die and bathe quickly the preponderance of wet streets on film increased dramatically.
He's almost positive of this. At which point it also becomes a sort of trope for car ads. A study of aforementioned car ads will reveal that 65% were shot in various abandoned and decrepit late-night downtown post-industrial locations. A significant subset of these were staged with moistened blacktop.
He’s not certain what the ads were trying to insinuate. The figure driving was always opaqued behind dark windows and the cars were always speeding through the empty streets, though much of that could have just been CGI.] but his windscreen is still streaking with the dew that started out on his car at his point of departure. He thinks it’s really too early to be down here. For our 8th selection of previously featured retail projects we have five great buildings from Europe, all published in 2009.