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Contents • • • • • • • • • Background [ ] The premise of The Denial of Death is that human civilization is ultimately an elaborate, symbolic defense mechanism against the knowledge of our mortality, which in turn acts as the emotional and intellectual response to our basic. Becker argues that a basic duality in human life exists between the physical world of objects and a symbolic world of human meaning.

Ernest Becker has plumbed the darkest aspects of our experience and given us the insight we most desperately need.” — Anais Nin “[AJ challenging book — a.

Thus, since humanity has a dualistic nature consisting of a physical self and a symbolic self, we are able to transcend the of mortality through, by focusing our attention mainly on our symbolic selves. This symbolic self-focus takes the form of an individual's ' project' (or ' project'), which is essentially a symbolic belief-system that ensures oneself is believed superior to physical reality. By successfully living under the terms of the immortality project, people feel they can become heroic and, henceforth, part of something eternal: something that will never die as compared to their physical body. This, in turn, gives people the feeling that their lives have meaning, a purpose, and are significant in the grand scheme of things. Becker argues that the arbitrariness of human-invented immortality projects makes them naturally prone to conflict. When one immortality project conflicts with another, it is essentially an accusation of 'wrongness of life', and so sets the context for both aggressive and defensive behavior.

Each party will want to prove its belief system is superior, a better way of life. Thus these immortality projects are considered a fundamental driver of human conflict, such as in,,,. [ ] Another theme running throughout the book is that humanity's traditional 'hero-systems', such as, are no longer convincing in the. Instrukciya po dejstviyam vo vremya chs 10. However, he argued the loss of religion leaves humanity with impoverished resources for necessary illusions. Science attempts to serve as an immortality project, something that Becker believes it can never do, because it is unable to provide agreeable, absolute meanings to human life.

The book states that we need new convincing 'illusions' that enable us to feel heroic in ways that are agreeable. Becker, however, does not provide any definitive answer, mainly because he believes that there is no perfect solution.

Instead, he hopes that gradual realization of humanity's innate motivations, namely death, can help to bring about a better world. Mental illness [ ] From this premise, mental illness is described as opposite, dysfunctional extremes in one's relationship with their own immortality project. Depression [ ] At one extreme, people experiencing have the sense that their immortality project is failing. They either begin to think the immortality project is false, or feel unable to successfully be a hero in terms of that immortality project. As a result, they are consistently reminded of their mortality, biological body, and feelings of worthlessness.

Schizophrenia [ ] At the other extreme, Becker describes as a state in which a person becomes so obsessed with his or her personal immortality project as to altogether deny the nature of all other realities. Schizophrenics create their own internal, mental reality in which they define and control all purposes, truths, and meanings.

This makes them pure heroes, living in a mental reality that is taken as superior to both physical and cultural realities. Creativity [ ] Like the schizophrenic, creative and artistic individuals deny both physical reality and culturally-endorsed immortality projects, expressing a need to create their own reality. The primary difference is that creative individuals have talents that allow them to create and express a reality that others may appreciate, rather than simply constructing an internal, mental reality. Reception [ ] The Denial of Death helped to inspire a revival of interest in the work of. Becker's work has also had a wide cultural impact beyond the fields of psychology and philosophy. The book made an appearance in 's film, when the death-obsessed character Alvy Singer buys it for his girlfriend Annie. It was referred to by in his work It's a Slippery Slope.